Juvenile poses with Ghetto Twiinz, and fans on Facebook say “they look like they died back in the 9-9 and the 2000”

A photo of Juvenile and the Ghetto Twiinz sparks nostalgia, laughs, and backlash across Facebook.

It started as a simple Facebook post. Musician and content creator Mike Browardd shared a photo of Juvenile posing with two women in matching sequined outfits, adding a caption that instantly caught fire:

“Former hit maker & ‘Back That Thang Up’ rapper, #Juvenile, posts up with two chicks who look like they died back in the 9-9 and the 2000 💀.”

Within hours, the post spread through Facebook groups, hip-hop meme pages, and nostalgia feeds. The combination of humor, ageism, and a classic Juvenile reference turned it into instant meme fuel.

The problem? Those “two chicks” aren’t anonymous partygoers. They’re the Ghetto Twiinz — Tonya and Tremethia Jupiter, New Orleans rap legends who helped build the same Southern hip-hop scene that Juvenile and Cash Money Records later dominated.

The Photo Itself: A Casual Reunion Turned Roast

The photo, believed to have been taken at a casual gathering or local event, shows Juvenile—now 50—flanked by the Ghetto Twiinz. He’s rocking a gray camo hoodie, gold chain, and dark shades, giving off his trademark cool demeanor. The twins, dressed in silver sequined crop jackets and matching pants, pose confidently beside him.

Lighting suggests an indoor lounge or backstage setting. It’s not glamorized or filtered — just a raw moment between three artists from the same city and era.

But online, the image became something else entirely. Comments poured in, joking that the women looked “frozen in time since the ‘99 and the 2000,” referencing Juvenile’s iconic 1999 hit “Back That Azz Up.”

While some laughed it off as playful nostalgia, others called out the tone as disrespectful, arguing that mocking the Ghetto Twiinz’s appearance disrespected their contributions to New Orleans rap.

The Punchline That Became the Problem

In meme culture, the phrase “back in the 9-9 and the 2000” has become shorthand for the early 2000s hip-hop glory days — a time of low-rise jeans, Cash Money dominance, and Southern bounce taking over mainstream radio.

The caption’s humor relied on that nostalgia. But the punchline — “look like they died back in the 9-9 and the 2000” — crossed from clever into cruel. It mocked aging women in hip-hop while sparing Juvenile, exposing the double standard that still shapes reactions to male and female artists from that era.

Users split into camps: some insisting “it’s just a joke,” others defending the Ghetto Twiinz for surviving decades in an unforgiving industry.

One commenter summed it up best:

“Y’all clowning legends who helped make the 9-9 and 2000 mean something in the first place.”

Who the Ghetto Twiinz Really Are — Legends, Not Punchlines

For younger fans unfamiliar with their legacy, the Ghetto Twiinz aren’t random faces from an old photo. They’re pioneers of New Orleans rap, twin sisters Tonya and Tremethia Jupiter, who emerged in the early ‘90s with a raw streetwise sound that rivaled anything coming from No Limit or Cash Money.

Signed first to Big Boy Records, they released their debut album Surrounded By Criminals in 1996. By 1997, they’d joined Rap-A-Lot Records, dropping In That Water, No Pain No Gain, and Got It on My Mind — all of which charted on Billboard and earned critical respect for their unfiltered storytelling.

Their music blended bounce, R&B harmonies, and gritty realism, addressing violence, love, and survival from a woman’s perspective. They were part of the same movement that birthed Mia X, Mystikal, Soulja Slim, and yes, Juvenile himself.

To this day, their catalog stands as an archive of authentic Southern womanhood in hip-hop, something that’s often overshadowed by the male-dominated narratives of that era.

From New Orleans Stages to Meme Pages: When Legacy Meets the Internet

The viral backlash highlights a growing tension in hip-hop’s online spaces — where legends become memes faster than they’re honored.

The Ghetto Twiinz, now in their early 50s, still perform occasionally and remain active in New Orleans’ cultural scene. But seeing them mocked alongside Juvenile, a fellow icon, underscores how social media can flatten context.

As one Facebook user put it:

“Back in the day, these women were the sound of the streets. Now folks laughing at them like they ain’t part of the same legacy.”

The debate around the meme isn’t just about one photo — it’s about how hip-hop treats its veterans, especially women, as they age.

Fans Clap Back: “Respect Your Elders — They Survived What You Glorify”

Defensive comments began flooding in as fans and peers recognized the women in the picture. Many reminded younger users that these weren’t washed-up groupies — they were artists who helped define New Orleans hip-hop before Cash Money blew up nationally.

Screenshots from reposts show defenders writing:

“Put some respect on the Ghetto Twiinz name.”
“They look like grown women who been through real life, not filters.”
“Y’all joke too much — they the reason half y’all city got a sound.”

What started as a joke turned into an online debate about aging, respect, and cultural memory. In a space where clout moves faster than facts, the Ghetto Twiinz suddenly found their legacy trending — for all the wrong reasons.

Juvenile’s Role: Chill As Ever Amid the Noise

For Juvenile, the internet storm barely registers. The New Orleans legend, who recently performed “Back That Azz Up” with a live orchestra for NPR’s Tiny Desk Concert, has long embraced his legacy with humor and self-awareness.

He hasn’t publicly commented on the viral photo or the “Bruh” post. But the shot captures him exactly as fans remember — unbothered, dripped out, surrounded by the same energy that made his 1999 hit timeless.

And in a way, that might be the real takeaway: while social media cycles through jokes, Juvenile and the Ghetto Twiinz remain fixtures of the same era they helped define.

Conclusion: The 9-9 and the 2000 Never Really Died

What began as a meme mocking appearances became a conversation about how hip-hop treats its icons, especially women who age in public view.

The Ghetto Twiinz might have been the butt of a cruel joke this week, but the reaction proved their name still means something. Decades after Back That Azz Up made history, the people behind that era still command attention — whether through nostalgia, laughter, or viral debate.

In the end, the internet can roast, remix, and recycle — but the 9-9 and the 2000 never really died. They just moved to Facebook.

The post Juvenile poses with Ghetto Twiinz, and fans on Facebook say “they look like they died back in the 9-9 and the 2000” appeared first on Hip Hop Vibe.

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