Mz Mercedes blasts Master P after being blocked from No Limit’s stage during Cash Money vs. No Limit Verzuz, threatens lawsuit over “Can Tell” performance [VIDEO]

The former No Limit artist accuses Master P of deliberate exclusion and unauthorized song use after being denied access to the Las Vegas Verzuz stage

Former No Limit Records artist Mz Mercedes is making headlines. This comes after an emotional rant from her. She is accusing Master P and his team of deliberately excluding her from the Cash Money vs. No Limit Verzuz battle at ComplexCon Las Vegas.

In a 94-second clip filmed backstage, the Rear End rapper says she was denied entry to the stage despite having a wristband. Later, she discovered her song “Can Tell” was performed by another artist without her consent. Mercedes threatened legal action against Master P for “unauthorized use.” Therefore, reigniting long-standing conversations about artist treatment and ownership under the No Limit brand.

Mz Mercedes originally left the label with similar accusations.

A Heated Rant After the Show

The video was originally posted to X by @JrScalez on October 25. It shows Mercedes visibly emotional, speaking into her phone with stage lights glowing behind her. Wearing a gray tank top, jewelry, and red curls, she alternates between anger and heartbreak. Meanwhile, she explained that she traveled to Las Vegas expecting to perform.

“I’m supposed to be here just like everybody else,” she said, her voice trembling. “How somebody else get to sing my song but not me? That’s foul.”

She flashes her event wristband toward the camera, claiming she had full credentials but was blocked from stage access. “Do you see this? I got a whole wristband. And these bitches didn’t let me go home.”

Mercedes then accuses Master P of orchestrating her exclusion and vows legal retaliation, saying, “Y’all can expect a lawsuit because I didn’t give permission for anybody to perform my song. It’s gonna be a problem.” She also calls out “bad business” at No Limit, labeling P a “janky promoter” before ending the clip by declaring she’s “done” with the camp for good.

No Limit’s Night Overshadowed by Backstage Drama

The Cash Money vs. No Limit Verzuz event, held on October 25, was billed as a Southern rap celebration pitting two of hip-hop’s most influential labels against each other. No Limit’s roster included Master P, Mia X, Silkk the Shocker, and Mac, while Cash Money brought out Birdman, Juvenile, and Mannie Fresh.

Fans were eager for nostalgia — two New Orleans powerhouses sharing one stage for the first time. The performance drew strong crowd reactions and heavy streaming traffic. However, behind the scenes, things weren’t as smooth. Reports surfaced of tension among artists, restricted access, and technical malfunctions.

Mercedes’ outburst quickly overshadowed post-event coverage. Thus, drawing attention away from No Limit’s perceived victory. In her rant, she referenced her hit “Can Tell.” The song is a duet with Mac from 1998’s Shell Shocked — which she claims was performed without her permission. Mia X, who co-wrote the song, was the one who performed it during the Verzuz.

“I Was Supposed to Be There” — Mercedes’ Legacy and Grievances

Mercedes’ anger goes beyond the night’s incident. Signed to No Limit in 1997, she released one studio album, Rear End (1999). The album became infamous for its provocative cover. The cover includes a close-up of her tattooed body in a thong. The image became a cultural artifact. As a result, often displayed in barbershops and record stores across the South.

Her musical contributions were overshadowed by the label’s dominant male acts. However, she still earned her a loyal fan base. She appeared on multiple No Limit compilations. Additionally, she was part of the label’s signature era alongside Mia X, Mac, and Mystikal.

In the video, she connects the Verzuz snub to what she calls decades of “industry jankiness.” Her accusation of “bad business” echoes similar complaints from other No Limit alumni over unpaid royalties and opaque contracts. “That man been bad business,” she said in the clip. “You ain’t gotta worry about me no more.”

Fans React: Nostalgia, Defensiveness, and Debate

The post has gained over 2,800 likes and nearly 200 replies, with fans divided between sympathy and skepticism.

Supporters expressed nostalgia for Mercedes’ era, praising her impact and calling her “an unsung queen of the South.” One fan wrote, “She still had the best album cover ever. That was culture.” Another added, “Mercedes went platinum in the hood for that poster alone.”

Others questioned her legal claims. “I bet she doesn’t own her masters,” one reply said. “No Limit owns those records — she can’t sue for performance.” Another user chimed in: “Lawsuit for singing your song? That’s not how that works, ma’am.”

Still, even skeptical voices acknowledged that her frustration was understandable. “I’d be mad too,” one commenter said. “That’s her legacy, and she’s watching someone else perform it while she’s backstage.”

A Symbol of No Limit’s Complicated History

Mercedes’ rant touches a nerve because it revives questions about how the No Limit empire operated during its height. The label, led by Master P, was celebrated for independence, volume, and entrepreneurship — but also criticized for artist contracts that left little room for creative control.

Her song “Can Tell” became a standout collaboration, yet ownership likely reverted to the label. That makes her legal threat more symbolic than actionable, reflecting a deeper frustration about being excluded from the narrative of a brand she helped build.

Industry observers note that many ’90s Southern rap artists lacked long-term rights due to the business models of that era. “It was about output and speed,” one insider told Classic Joints. “If you didn’t own your masters, you had no leverage later on.”

Mercedes’ viral outburst, then, isn’t just about one night — it’s about decades of feeling overlooked in hip-hop’s male-dominated structures.

Master P’s Silence and Fan Speculation

As of press time, Master P has not publicly addressed Mercedes’ claims. His recent social media activity focuses on thanking fans for supporting No Limit’s Verzuz appearance and celebrating what he called “a win for the culture.”

Some fans speculate that her exclusion was logistical — that security issues, artist slots, and time constraints limited who could perform. Others believe it was intentional. “That was personal,” one reply read. “P always keeps things tight on his end. If she had a wristband and still got blocked, that’s no accident.”

Whether or not Master P responds, the clip has reignited discussion about how women in hip-hop — especially from legacy labels — have been historically sidelined in reunion events and documentaries.

Mz Mercedes’ Cultural Footprint

Even for those too young to remember her music, Mz Mercedes’ name holds weight because of what she represented during No Limit’s late-’90s dominance — sexual empowerment, southern flair, and marketing genius. Her album Rear End remains one of the most recognizable covers of that decade, often referenced in memes and nostalgia threads.

To her supporters, that image — and her current frustration — symbolize how women who helped define eras often get erased when history is rewritten by the men who led the labels.

Her viral rant, raw and unfiltered, resonated because it came from someone who lived through that era’s chaos. In just 94 seconds, she reminded fans that behind the iconic tank logo were real artists who fought for recognition long after the spotlight faded.

The Bigger Picture: When Legacy Collides with Ownership

The clash between Mz Mercedes and Master P captures something bigger than a backstage dispute. It’s about how Verzuz, built on nostalgia and reconciliation, can unintentionally reopen old wounds — especially in hip-hop, where business and loyalty often blur.

Mercedes’ anger may not translate into a courtroom win, but it has sparked conversations about fairness, credit, and how artists from past generations deserve acknowledgment beyond the hits.

As fans debate who “won” the Verzuz, one truth stands out: Mz Mercedes made sure her voice — long silenced — was heard loud and clear.

The post Mz Mercedes blasts Master P after being blocked from No Limit’s stage during Cash Money vs. No Limit Verzuz, threatens lawsuit over “Can Tell” performance [VIDEO] appeared first on Hip Hop Vibe.

source https://hip-hopvibe.com/news/mz-mercedes-master-p-verzuz-lawsuit/