Remy Ma dances on Millyz in bathroom video days after Papoose dropped “Jezebel,” causing much speculation

The clip was shot to promote “Say Yea,” but its release timing turned it into something else entirely

Remy Ma appeared in a bathroom video with rapper Millyz days after Papoose released the diss track “Jezebel.” The 43-second clip shows the two moving together to their collaboration “Say Yea.” Remy Ma looks seductively at the camera while Millyz stands closely behind her.

The footage was amplified yesterday (September 17) by @Billionairepolo on X, which framed it as evidence Remy Ma was unbothered by the diss. The video has drawn millions of views and thousands of replies.

No one in the clip addresses Papoose, the divorce, or the allegations in “Jezebel.”

Dancing in the Bathroom, Just Promo or Something Else?

The setting is a brightly lit, high-end bathroom with marble surfaces, a large mirror, and a modern faucet. A POLO WORLD watermark appears over the footage. Remy Ma touches her hair and leans on the sink. Millyz grips her and they move together. In related versions circulated the same week, a hand on the neck or similar close contact appears.

The lyrics audible in the clip are the song’s own. Lines include “Let me hear you say yeah,” “If you […] around and die for me, then let me hear you say yeah,” and “Put them panties to the side for me.” There are references to loyalty through lows and highs and a line about being toxic sometimes but meaning no harm. The song mixes invitation, sexual request, and status imagery. Neither artist addresses Papoose, “Jezebel,” divorce court, Claressa Shields, or Eazy the Block Captain in the clip.

Millyz’s Instagram caption on related posts was simply “Say yea.” Remy Ma commented on at least one version with laughing emojis and the baby bottle and coffee emoji pairing associated with the rollout. The tone of the footage is playful and promotional. The meaning that audiences took from it came from the calendar, not the audio.

When This Promo Video Was Actually Shared

Papoose released “Jezebel” on September 11. The track, produced by Sean2 Miles with a video directed by Tana and Will C of StreetHeat, accused Remy Ma of cheating, of lying that he cheated, and of resenting public praise for his loyalty during her incarceration. He claimed he wrote her raps, including material associated with her biggest records. He did not name her in every bar, but the prison, daughter, and songwriting details made the target clear.

That same day, the couple’s divorce case had a virtual hearing. The proceedings remained unresolved. Reporting described competing accounts of who was delaying the case. Remy Ma had publicly urged Papoose to sign papers and to prove his relationship with boxer Claressa Shields. Shields and Papoose have been linked since 2024. Meanwhile, Remy Ma has been linked to battle rapper Eazy the Block Captain, and Papoose’s line about a “fake Papoose” was widely read as pointing at him.

The “Say Yea” video and BTS footage had already been released days before “Jezebel” came out. The bathroom clip existed as promotional material. However, the video now recirculating after this record is now fueling further speculation. As a result, there are many people who believe this bathroom footage is actually in response to Papoose’s record. Originally, this was not the case, as this video was originally nothing more than promotional material.

From “Black Love” to Public Enemies

Remy Ma and Papoose exchanged vows by phone in 2008 while she was incarcerated. They formally married in 2016, appeared together on Love & Hip Hop: New York, and share a daughter. Papoose was widely presented during her prison years as the partner who visited, sent mail and food, and remained publicly loyal. That history is the factual backdrop he put into “Jezebel.”

The marriage deteriorated publicly in the mid-2020s. Separation was reported in late 2024. Musical shots preceded the diss. Remy Ma’s “W.Y.F.L.” pushed back on the idea that Papoose wrote her material and was widely heard as addressing both him and Shields. She released “Wanna Go” around Shields’s boxing schedule. Papoose’s camp sent cease-and-desist demands. Remy Ma announced “Why I Get Married” with Keke Wyatt around the same period.

Millyz is a Massachusetts rapper with a long run of “Blanco” and related projects. “Say Yea” featuring Remy Ma was released in early this with an official video and a BTS dump that included bathroom, couch, and pool footage. Chemistry in those clips produced dating rumors and the nickname “Palepoose.” The bathroom clip that exploded after “Jezebel” is part of that same promotional cycle. Now, the relatively new video has gained new life, so that its timing is interpreted as a response even though the shoot predates the diss.

X Thinks Remy is Trying to Goad Pap and is Concerned for Her Health

Viewers on X treated the smile, grind, and squat as Remy Ma answering “Jezebel” without a verse. Quotes highlighted the thong and the drop toward Millyz’s thigh as the detail that made the clip land. One widely shared quote-tweet video from @2ToneDaSupastar gathered over a million views. This quote tweet essentially said the pairing was a gutting for Papoose. Some users framed it as Remy Ma and Millyz versus Papoose and Shields.

Meanwhile, concerns about substances and appearance appeared frequently. As a result, many replies said she “looks like she’s on drugs,” that her eyes looked dark, or that the clip was “not cute” and “disappointing.” Others called it a midlife crisis and said it was a bad look for a mother. Comments about Millyz focused on his appearance and race. Users described him as a “white poser” and asked why she would “downgrade.” The “Palepoose” tag appeared in follow-up posts.

However, a minority defended Remy Ma. They argued she was only promoting “Say yea,” that people were over-sexualizing standard video BTS, and that she was trolling the Jezebel insinuation on purpose. One reply stated she was not on drugs and that the clip was promo plus trolling. Some users hoped Papoose would get custody. Others said the Jezebel framing was landing. Ultimately, the people treated the clip as a chapter in an ongoing soap opera more than as a music-video extra.

Breaking Down the Divorce

The clip’s significance is timing and optics rather than new factual disclosure. Papoose used “Jezebel,” a loaded label for a treacherous woman, to recast years of the “he held her down in prison” narrative as unrequited loyalty and to reopen the ghostwriting dispute.

Recirculating a sexually charged promo video days later let audiences treat physical comfort with another rapper as a nonverbal rebuttal. That is a common pattern in hip-hop relationship disputes, where music, Instagram stories, and behind-the-scenes footage function as the public record when court filings stay private.

This video is also another instance of female artists answering or being answered by former partners in song while social media collapses the delay between a diss and a counter-image. Comments about Millyz’s race or appearance add an audience layer not required by the lyrics of either track.

Final Thought

Claressa Shields entered the same week’s conversation on Instagram Live, defending “Jezebel” as something that needed to be said and telling Remy Ma’s audience to leave her and Papoose alone. Shields and Papoose have been linked since around 2024. Remy Ma has been linked in coverage to battle rapper Eazy the Block Captain, and “Jezebel” refers to cheating with a “fake Papoose,” a line widely read as pointing at him.

The divorce remains unresolved. Public accusations of infidelity, financial support, and character have historically complicated high-profile divorces without deciding them. Potential legal or custodial effects remain speculative. Both “Jezebel” and “Say Yea” received coverage and streams because the personal story supplied a hook the records alone might not have had. Later court outcomes, additional records, or private resolutions are not contained in this clip.

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